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Post by teleport on May 1, 2022 8:24:48 GMT
Hi, I want to control the exit button.
i.e. 11 on the graphic on page 5 of the manual.
Is that possible? Is there even a keystroke for it?
Also on page 4, Item 4. The main window. How does one navigate between the combo (1) and the list(2) with a keyboard? Thx,
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Post by Torsten on May 1, 2022 15:44:56 GMT
Hi, I want to control the exit button.
i.e. 11 on the graphic on page 5 of the manual. Is that possible? Is there even a keystroke for it?
Also on page 4, Item 4. The main window. How does one navigate between the combo (1) and the list(2) with a keyboard? Thx, Short answers: - No MIDI for the exit button; also not planned. On the keyboard, you can use the keystroke Shift-ESC.
- Navigation on the main window: that's something on my list - currently not possible.
Essentially, LivePrompter was built mainly with touch operation in mind.
Cheers,
Torsten
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Post by teleport on May 1, 2022 17:08:18 GMT
mmm. Pity. Thanks anyway. I don't have a keyboard or mouse. My solution is pedals only. In a rehearsal situation where choices are more ad hoc It's presenting a few challenges. Cheers.
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Post by Torsten on May 1, 2022 21:58:32 GMT
I've made some changes to the main window - now you can use the tab key to move between the dropdown, the list and the Go button. Optically not highly visible, but that's not something I can control with the framework - at least working. Now with Bome Midi Translator, you could change MIDI commands to keypresses. So if you have a pedal you can spare, you can use it to tab between the three elements.
You'll find build 1.103 at the Downloads page.
Cheers,
Torsten
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Post by teleport on May 2, 2022 2:52:50 GMT
Good Man. I can see that working. I have 5 midi buttons on the floor. Exit, Tab, Space as Universal, Next Song , Previous Song. I think that should work.
"Optically not highly visible," True. I would have thought on focus border thickness or color or something, but whatever.
i'll have to see how it looks at distance.
Thanks so much for your efforts. Cheers.
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